Prom 1, Elgar “The Kingdom. Royal Albert Hall
Back in the Royal Albert Hall for the unveiling of Proms 2014 and speaking personally adjustments need to be made – the heat, for one, but also the acoustical amplitude. As Elgar rolled out the magisterial themes…
Forbidden Broadway, Menier Chocolate Factory
Since 1982 it’s been open season on the great and the good of Broadway musicals. It was in that very year that a chap called Gerard Alessandrini created Forbidden Broadway and from the hitherto innocuous sidelines of…
La finta giardiniera, Glyndebourne Festival Opera
The title of the opera provides the essence of Frederic Wake-Walker’s staging. Finta – pretend, fake – and giardiniera – gardener – are key elements in a show where Arcadian bliss is not even glimpsed until the…
Carousel, Arcola Theatre
The first thing that strikes you about this joyously inventive postage stamp staging of Rodgers and Hammerstein’s masterpiece – and it strikes you so forcibly in this high-decibel digital age that it’s almost a pinch-yourself moment –…
London Symphony Orchestra, Luisi, Barbican Hall
It is not often we hear Bruckner’s colossal Eighth Symphony in its longer and far quirkier original version (1887 ed Nowak) and when we do hear it in either of its two incarnations it invariably stands alone.…
Don Giovanni, Glyndebourne
The darkness descends with the shocking first chord of the Overture brutally shutting out a beautiful day at Glyndebourne. Such comedy as there is in this show (and that aspect of the piece is kept well in…
Benvenuto Cellini, London Coliseum
Hector Berlioz and Terry Gilliam were undoubtedly made for each other – kindred spirits with wild imaginations, impractical demands, and a touch of anarchy. But Berlioz was a chaotic dramatist at best and in a piece like…
The Life of the Party, Menier Chocolate Factory
I still regard myself as an Andrew Lippa newbe – though now that his recent outing at the St James Theatre has morphed into fully-produced all-singing, all-dancing London show with props and projections and costumes and lights…
A Conversation With CORINNE WINTERS: Life before and after the London ‘Traviata’
In February 2013 Corinne Winters created an absolute sensation in her operatic European debut when Peter Konwitschny’s starkly intense staging of Verdi’s La Traviata arrived at English National Opera. Vocally, physically, dramatically her Violetta (“the whore who…
Dialogues des Carmélites, Royal Opera House
Poulenc’s Dialogues des Carmélites is a special and very particular opera. There is nothing else quite like it. Just as the drama – set to the composer’s own libretto – teeters between fear and faith so too…
