A Conversation With JAMIE BERNSTEIN
Tuesday 19th November 2013 7.30pm, London Jewish Cultural Centre at Ivy House Edward Seckerson in conversation with Jamie Bernstein, daughter of the legendary Leonard Bernstein. … [Read More]
Patti LuPone, Seth Rudetsky, Leicester Square Theatre (Review)
Here she is, boys, here she is world, here’s… Well, maybe not quite yet. Patti LuPone’s accompanist and confessor and all round waspish side-kick this time around – Seth Rudetsky – was also her warm-up act. Writer,…
A Conversation With BENJAMIN WALLFISCH
Benjamin Wallfisch was born into an extraordinarily musical family. His father Raphael Wallfisch is a cellist of international repute and his grandmother Anita Lasker-Wallfisch would not be alive today had her cello not served as a refuge…
Le nozze di Figaro, Glyndebourne Festival Opera (Review)
It’s the season of free love in Michael Grandage’s 1960s take on Mozart’s Le nozze di Figaro – everybody’s at it; and since you can’t tell the men from the girls (or even the boys in Cherubino’s…
Britten “War Requiem”, Bergen Festival (Review)
In Bergen’s Grieg Hall – one is tempted to say the Hall of the Mountain King – the 2013 Bergen Festival concludes with the mournful tolling of bells. A consonant “Amen” – like a healing benediction –…
Briefly… Falstaff, Glyndebourne Festival Opera
It’s a world of girl guides, animatronic cats, and cabbages. Ford’s garden apparently yields nothing else. And whilst the flat surfaces and wonky perspectives of designer Ultz’ sets aren’t too prepossessing in themselves they serve the child…
Anne Reid, Crazy Coqs
One of the great advantages of leaving your cabaret debut until you are on the cusp of becoming an octogenarian is that you and you alone alone make the rules. Better yet you owe no one an…
A Conversation With SUSAN BULLOCK
Thursday 30th May 2013 7.30pm INSIGHT EVENT at the Royal Opera House, Clore Studio … [Read More]
Ariadne auf Naxos, Glyndebourne (Review)
The Major-Domo promises fireworks during the Prologue of Strauss and Hofmannsthal’s Ariadne auf Naxos. Katharina Thoma, the director of Glyndebourne’s new staging, drops a bombshell – actually several bombshells. Glyndebourne’s wartime history – as a refuge for…
Liza on an E, Vaudeville Theatre (Review)
There are those who would argue that Liza (Minnelli, that is) has become so much of a self-parody that the best of her impersonators are actually more convincing than she is. That’s the cynical view, of course,…
