A Conversation With COLIN CURRIE
The evolution of the solo percussionist has advanced dramatically over the last couple of decades and among the superstars of the hardware that can be struck and pounded or caressed and stroked is the flying Scotsman Colin…
Lionel Bart’s “Quasimodo”, King’s Head Theatre (Review)
There has never been any doubt in my mind that Lionel Bart was the quirkiest, the most extraordinary, and potentially greatest musical theatre talent that this country has ever produced. Quite apart from the scarcity of those…
Philharmonia Orchestra, Goerne, Koh, Salonen, Royal Festival Hall (Review)
We began with the most beautiful moments in all of Ravel and ended with the ugliest. For the final concert, the climax, of the Philharmonia’s revelatory Lutoslawski retrospective Woven Words the fastidious Frenchman proved the perfect framing…
A Conversation With VASILY PETRENKO
After seven fulfilling years at the helm of the Royal Liverpool Philharmonic Orchestra, Vasily Petrenko has extended his contract, his tenure, his commitment, as he puts it, “to eternity”. Another decade in Liverpool is guaranteed taking him…
A Conversation With IAN STOREY
In 2007 the English tenor, Ian Storey, made a dramatic and highly visible debut as Tristan in Wagner’s Tristan und Isolde at the season opening of La Scala, Milan, conducted by Daniel Barenboim and directed by Patrice Chereau. It…
A Conversation With JAN VOGLER: Dresden Music Festival 2013
The 36th Dresden Music Festival has a big title and even bigger ambitions – EMPIRE – a theme which Artistic Director Jan Vogler hopes will embrace not just the cultural achievements of the British Empire but the…
Royal Liverpool Philharmonic Orchestra, Petrenko, Philharmonic Hall, Liverpool (Review)
With the news that Vasily Petrenko had extended his tenure as Chief Conductor of the Royal Liverpool Philharmonic Orchestra “to eternity” (his words) the little bit of Russia that came to the soon to be refurbished Philharmonic…
A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
Vasily Petrenko’s highly acclaimed cycle of the Shostakovich Symphonies with the Royal Liverpool Philharmonic Orchestra reaches an important chapter in what Petrenko himself calls a “biopic” of the composer’s life and times. The 7th Symphony “Leningrad” chronicles…
Benjamin/Crimp “Written On Skin”, Royal Opera House (Review)
George Benjamin and Martin Crimp’s Written On Skin arrives at the Royal House for its UK premiere trailing extraordinary plaudits from all who’ve seen it. One can understand why. Music theatre is such a delicate, precarious, business…
A Conversation With MICHAEL BERKLEY: Launch of the Nash Ensemble’s American Series
Saturday 9th November 2013, Wigmore Hall Bechstein Room 6.00pm Conversation with MICHAEL BERKELEY to launch the Nash Ensemble’s American Series… [Read More]