Martinu “Julietta”, English National Opera – Review ****
Julietta. The name is spelt out across the front cloth in the shifting body shapes of a sleeping figure – Michel Lepic, a bookseller (Peter Hoare). He stirs where the final “A” should be and with a…
Adam Guettel and friends
Extraordinary to see the grandson of Richard Rodgers stroll over to a microphone in the Hippodrome’s Matcham Room and start in with the “country scat” of his first masterpiece Floyd Collins. More extraordinary still to hear it…
Routledge and I Guildford bound
Traveling with my star, Patricia Routledge, to the Yvonne Arnaud Theatre in Guildford tomorrow, Tuesday. I gather they are rehearsing a Gilbert & Sullivan onstage until 3. Routledge was an unforgettable Ruth in the marvelous Joseph Papp…
The Bjork of the lieder world
I first came across Helena Juntunen in an Osmo Vanska concert at the South Bank. She sang Sibelius – and she sang it with such engagement and power, such rapture, that I came out at the interval…
The Last Night of the Proms – Review ****
Brittania always rules on the Last Night of the Proms – but in this Olympic year she really ruled. I’m still puzzled as to why they couldn’t find a home-grown Olympic Fanfare and not one recycled from…
Prom 75: Vienna Philharmonic Orchestra, Haitink, Royal Albert Hall – Review ****
The Vienna Philharmonic Orchestra can play Haydn’s last symphony – No 104 “London” – in its sleep but that is not, I hasten to add, the impression one wants to take away from any performance of it…
A Conversation With SARAH CONNOLLY
Thursday 8th November 2012 5.45pm, Queen Elizabeth Hall Pre-performance conversation with Sarah Connolly, as part of the Orchestra of the Age of Enlightenment’s Queens, Heroines, and Ladykillers: French Exchange series… [Read More]
The Artistry of Maria Friedman and Jason Carr finally ignites the Hippodrome’s new Matcham Room – review
It’s taken a while for the Hippodrome’s spanking new cabaret room to feel lived-in and alive and it’s taken a real artist – actually two real artists – to capitalise on its intimacy and generate a buzz.…
Prom 69: Leipzig Gewandhaus Orchestra, Chailly – Review ****
A grim logic pervaded the Leipzig Gewandhaus Orchestra’s second Prom. Messiaen’s Et expecto resurrectionem mortuorum effectively begins where Mahler’s 6th Symphony ends – from the lowest of the lowest depths. Two bass tubas sound the death knell…
Prom 63: Berlin Philharmonic Orchestra, Rattle – Review *****
It was, without doubt, the most breathtaking musical segue of this or any other Prom season and it unlocked a programme with Simon Rattle’s musical intellect written all over it. First came the cosmic vibrations of Ligeti’s…