Edward Seckerson
Alt Sidebar
Random Article
Search
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact

Top Posts & Pages

  • GRAMOPHONE: Michael Tilson Thomas - A Personal Tribute

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Reviews

    London Philharmonic Orchestra & Choir, Nézet-Séguin, Royal Festival Hall

    By Edward / 05/02/2012

    Bruckner’s unfinished final symphony – the 9th – poses many questions, none more perplexing than what might have been in terms of its absent finale. There are those who insist that the great Catholic symphonist had completely…

    Read More
  • Podcasts

    A Conversation With STING: Symphonicities

    By shane / 02/02/2012

    The location is Sting‘s beachside house in Malibu the morning after the night before: another night, another venue – the Hollywood Bowl – another three-hour concert of his songs. That’s concert with a capital “C” because this…

    Read More
  • Reviews

    Philharmonia Orchestra, Davis, Royal Festival Hall

    By Edward / 30/01/2012

    The occasion was Delius’ 150th birthday but more broadly it was a celebration of Englishness. Vaughan Williams’ lark ascended once more, the Philharmonia’s concert master Zsolt-Tihamér Visontay effecting the transfiguration of song into mystic musing with elegantly…

    Read More
  • Reviews

    Strauss “Der Rosenkavalier”, English National Opera

    By Edward / 29/01/2012

    For those of us who believe (and don’t we all) that Octavian should end up with his true love – as opposed to his “fairy tale” romance – and live out his days with the Feldmarschallin, Maria…

    Read More
  • Reviews

    Mozart “Don Giovanni”, Royal Opera House

    By Edward / 22/01/2012

    There is hell-fire enough at the close of Francesca Zambello’s 2002 staging of Don Giovanni to consume not just the Don but the entire production. Not such a bad idea, I found myself thinking, as the Commendatore’s…

    Read More
  • Reviews

    London Philharmonic Orchestra, Jurowski, Royal Festival Hall

    By Edward / 19/01/2012

    As curator of the London Philharmonic Orchestra’s ongoing Prokofiev series Vladimir Jurowski has striven to highlight the paradoxes which serve to make him the most contradictory of composers. He’s fielding oddities, he’s bowling googlies – none more…

    Read More
  • Reviews

    London Philharmonic Orchestra, Vedernikov, Royal Festival Hall

    By Edward / 14/01/2012

    The London Philharmonic Orchestra’s intriguing new Prokofiev series is entitled “Man of the People?” and the enigma is all in the question mark. Beginning at the end with the last of his symphonies, the 7th, was far…

    Read More
  • Reviews

    London Symphony Orchestra, Pappano, Barbican Hall

    By Edward / 11/01/2012

    It was almost as if the London Symphony Orchestra had enjoyed advance notice of Antonio Pappano’s well-deserved Knighthood in the New Year’s Honours list. The all-English programme made for a stylish celebration, Sir Antonio (a slight incongruity…

    Read More
  • Reviews

    National Youth Orchestra of Great Britain, Daniel, Barbican Hall

    By Edward / 07/01/2012

    You’d expect the teenagers of the National Youth Orchestra to have some good moves but the opening and closing items of their winter concert took us all the way to the club floor and back again. I’m…

    Read More
  • Podcasts

    A Conversation With MARK ELDER

    By shane / 02/01/2012

    The label has always prided itself on its sense of style, its balance of head and heart with regard to casting. Stars have been established from these recordings, operas restored to their rightful place at the core…

    Read More
 Older Posts
Newer Posts 

Latest Tweets

My Tweets
Follow Us on FacebookFollow Us on Twitter

Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

Follow

Enter your email address to receive notifications of new posts by email.

Back Stage

  • Login
Bard Child Theme by Royal Flush.
Back to top