Rimsky-Korsakov “The Tsar’s Bride”, Royal Opera House
The Royal Opera’s first ever staging of Rimsky-Korsakov’s rich and surprising opera The Tsar’s Bride sees history repeating itself in unsettling ways. The poster-coloured prelude has no sooner run its course – one of the composer’s most…
Elizabeth Llewellyn, Simon Lepper, St. John’s, Smith Square
The first thing you notice about Elizabeth Llewellyn’s voice is the bloom – a plushy, covered quality that extends pretty much throughout the range and only hardens under pressure at the top. The slightly chilly St. John’s…
Operashots, Royal Opera Linbury Studio Theatre
Whether by design or accident this latest “double” in the Royal Opera’s Operashots project hit us with the most compelling of juxtapositions. Both composers – Stewart Copeland and Oscar winner Anne Dudley – hailed latterly from the…
London Symphony Orchestra, Jarvi, Barbican Hall
The Scandinavians were coming: Nielsen and Grieg had tall tales to tell and Sibelius’s Violin Concerto had promised the über-virtuosic Julia Fischer. But the German never arrived, an accident in her kitchen resulting in an eleventh hour…
Gregory “Piccard in Space”, Queen Elizabeth Hall
It’s a preposterous story – the stuff of which operas (or the latest Wallace and Gromit) are made: Belgian physicist Auguste Piccard, determined to prove Einstein’s Einstein’s theory of relativity, takes to the skies in a balloon-powered…
Murray Perahia, Barbican Hall
How to describe Murray Perahia’s qualities? Elegance, fluency, modesty, clarity – and an abiding sense of the poetic. In the final piece of Schumann’s Kinderszenen “Der Dichter spricht” – “the poet speaks” – Perahia’s own inner voice…
Bavarian Radio Symphony Orchestra, Jansons, Royal Festival Hall
The Bavarian Radio Symphony Orchestra brought Strauss – oodles of it – for this Shell Classics International at the Royal Festival Hall; and as they signed off with one of those signature Rosenkavalier waltzes, all swooning strings…
Monteverdi “The Return of Ulysses”, ENO/Young Vic
Human Frailty wears a latex mask and a dog-collar – a plaything of his cruel masters, Time, Fortune, and Love. Eye and mouth holes are crudely cut out of the mask as if perhaps to conceal horrific…
BBC Symphony Orchestra & Chorus, Bychkov, Barbican Hall
Ask not for whom the bell tolls. Rachmaninov didn’t: he knew. Or rather he was convinced that they all tolled for him. His splendid choral symphony The Bells is full of ominous premonition with even the “Silver…
LPO, Jurowski, Royal Festival Hall
Send in the clowns. Or at least that was Vladimir Jurowski’s musical thinking in bringing together the mighty foursome of Prokofiev, Stravinsky, Haydn, and Shostakovich and seeing just how far their capricious natures might take us. The…