GRAMOPHONE: From Where I Sit – February 2018
Last month’s focus on the Jarvi conducting dynasty has prompted me to reflect on the number of times Jarvi senior (father Neeme) has come out on top in my own comparative reviewing – not least on BBC…
GRAMOPHONE: From Where I Sit – January 2018
Reviewing Daniele Gatti’s new recording of Mahler’s Second Symphony (see the December issue) I found myself questioning yet again how it is possible to keep this now familiar music sounding startling and fresh and at the very…
GRAMOPHONE Review: Richard Rodney Bennett Orchestral Works Vol. 1 – BBC Scottish Symphony Orchestra/Wilson
Richard Rodney Bennett wore his prodigious talent lightly – but he dispensed it generously. From hardcore Darmstadt beginnings to friendlier tonalities; from movies and TV to his passion for the American Songbook where his pianistic gifts shone…
GRAMOPHONE Review: Mahler Symphony No. 4 – Düsseldorf Symphony Orchestra/Adam Fischer
Adam Fischer launched his Düsseldorf Mahler cycle with an accomplished and individual account of the nighthawkish Seventh Symphony. I commented at the time that his brother Ivan should be looking over his shoulder. More so now. This…
GRAMOPHONE Review: Mahler Symphony No. 2 ‘Resurrection’ – Royal Concertgebouw Orchestra/Daniele Gatti
As Mahler symphonies have become better and better known over the years so too has the pressure grown on his interpreters to rekindle their “newness”, their ability to surprise and shock. I have nothing but the highest…
GRAMOPHONE: From Where I Sit – December 2017
It was in December 1989 – a staggering 28 years ago – that Gramophone put me and Leonard Bernstein in the same room together. It was an extraordinary hour, the details of which I shall never forget…
GRAMOPHONE Review: Heggie – It’s A Wonderful Life
It’s interesting – and revealing – that Pentatone has a designated “American Operas” series. It’s an acknowledgement, if you like, that there is something very particular, very recognisably “American”, about the USA’s contribution to the genre, something…
GRAMOPHONE: From Where I Sit – November 2017
Finishing the unfinished. With this month’s cover feature on the mysteries and machinations surrounding Mozart’s musical last will and testament the debate on whether or not, how or if, or to what extent we should be second…
GRAMOPHONE Review: Mahler Symphony No. 4 – Munich Philharmonic/Valery Gergiev
This is a trickiest of discs to write about – unremarkable performances often are. For the first few pages that’s how it felt: a sound tempo, fluent, elegant enough playing, but also a sense of a reading…
GRAMOPHONE: From Where I Sit – October 2017
The dust may finally have settled on the 2017 Proms season but one strand of programming continues to resonate with me. In commemorating the 1917 Russian Revolution Vasily Petrenko and Vladimir Jurowski stepped up with stonking performances…
