Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Maybe Happy Ending - Original Broadway Cast

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • A Conversation With JULIAN OVENDEN
  • Classical Music,  Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 20/11/2014

    Music lovers invariably divide into two faction over the Brahms piano concertos: those who thrill to the elemental D minor and those who prefer to bask in the more reflective charms of the sumptuous B-flat Second Concerto.…

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  • Classical Music,  Reviews

    BBC Symphony Orchestra, BBC Singers, Litton, Barbican Hall

    By Edward / 25/09/2014

    The problem with programming Charles Ives’ Fourth Symphony – and only the very bold and resourceful and/or the BBC are ever likely to do so – is that it eclipses everything, and I mean everything, in its…

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  • Classical Music,  Reviews

    Prom 64, Berlin Philharmonic Orchestra, Rattle, Royal Albert Hall

    By Edward / 06/09/2014

    They were, of course, applauded on to the platform – all of them – and when at the close Simon Rattle turned to us and said “I think you know this already but there is no audience…

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  • Classical Music,  Reviews

    Prom 59, “Elektra”, BBC Symphony Orchestra, Bychkov, Royal Albert Hall

    By Edward / 01/09/2014

    How much familial dysfunction and lust – whether for sexual gratification or revenge – can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but…

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  • Classical Music,  Reviews

    Prom 58, “Salome”, Deutsche Oper Berlin, Runnicles, Royal Albert Hall

    By Edward / 31/08/2014

    It has been said many times (and by Strauss himself) that the title role of Strauss’ Salome requires at least two different voices. Nina Stemme has both of them. And so seamlessly, artfully, are they rolled into…

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  • Classical Music,  Reviews

    Prom 50: Czech Philharmonic Orchestra, Weilerstein, Belohlavek, Royal Albert Hall

    By Edward / 25/08/2014

    Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun, quality, warm and engaging and full of bright-eyed distinction…

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  • Classical Music,  Reviews

    Prom 47, Britten War Requiem, CBSO, BBC Proms Youth Choir, Nelsons, Royal Albert Hall

    By Edward / 22/08/2014

    Nothing has resonated through the unfolding First World War commemorations than the poetry of Wilfred Owen; and in terms of its grim immediacy and enduring heartbreak nothing ever could. Benjamin Britten knew that when he set down…

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  • Classical Music,  Reviews

    Prom 43: BBC Symphony Orchestra, Skride, Gardner, Royal Albert Hall

    By Edward / 19/08/2014

    The Russians were coming – and the prospect of Tchaikovsky’s 1812 Overture, even without the added attraction of hearing it in Igor Buketoff’s questionable choral arrangement where the Tsarist hymn is taken at its word and does…

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  • Classical Music,  Reviews

    Prom 31: Hallé, Coote, Elder, Royal Albert Hall

    By Edward / 10/08/2014

    The levels of refinement now exhibited by the Hallé, the stylishness and elegance of the playing, is alone a measure of the special relationship that they and Mark Elder have cemented over the last decade and a…

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  • Classical Music,  Reviews

    Prom 28: BBC Symphony Orchestra, BBC Singers (Men’s voices), BBC Symphony Chorus (Men’s voices), Oramo, Royal Albert Hall

    By Edward / 08/08/2014

    All kinds of narratives at play in this Sakari Oramo/ BBC Symphony Orchestra Prom – and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear – dispassionately chronicling Stravinsky’s Oedipus rex – and taken us beyond…

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  • GRAMOPHONE Review: Maybe Happy Ending – Original Broadway Cast
  • GRAMOPHONE Review: Orff Carmina Burana – Zurich Tonhalle Orchestra & Choruses/Järvi
  • GRAMOPHONE Review: Mahler Symphony No 7 – Bavarian RSO/Rattle
  • TALKING POINT: JOHN WILSON in conversation with Edward Seckerson
  • RICHARD RODGERS: SOMETHING WONDERFUL – Jewish Literary Foundation Book Week 2025

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