Edward Seckerson
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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich ‘Jazz & Variety’ – Singapore Symphony Orchestra/Litton

    By Edward / 20/07/2022

    Shostakovich’s well-developed sense of irony is so intrinsically wrapped up with his love of popular music – especially that which the Soviet establishment regarded as ‘trivial’ or better yet ‘subversive’ – that it’s sometimes hard to discern…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Price/Coleman/Montgomery – New York Youth Symphony/Repper

    By Edward / 20/07/2022

    Florence Price is fast becoming the flag-bearer for a whole new generation of female African-American composers. And she is also a wonderful example of how quality will out if champions like Yannick Nézet-Séguin (his terrific disc of…

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  • Classical Music,  On Stage,  Opera

    DAME JANET BAKER in Conversation: Ryedale Festival

    By Edward / 21/06/2022

    Monday 25th July 2022 7.30pm Duncombe Park, Helmsely One of the greatest of all singers gives a rare public interview in her native North Yorkshire. Dame Janet Baker is joined by Edward Seckerson to discuss her life…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Weill Symphony No. 2 & Shostakovich Symphony No. 5 – Rotterdam Philharmonic Orchestra/Shani

    By Edward / 21/06/2022

    An eye (and ear) catching coupling. Shostakovich’s Fifth Symphony is front and centre of the core repertoire these days – though not always in performances as good as this one – but we rarely hear Kurt Weill’s…

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  • Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – June 2022

    By Edward / 21/06/2022

    This being the last of these columns for the time being, I thought I’d reflect some more on the issues that keep me and my colleagues so exercised from month to month: the art of realisation, recreation,…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Sibelius Complete Symphonies – Oslo Philharmonic/Makelä

    By Edward / 25/04/2022

    There’s something extraordinarily satisfying about embarking upon Sibelius’ entire symphonic journey in a single one-day sitting. The evolution and refining of language and expression, the juxtaposition of the romantic and the radical is clarified and renewed. Total…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: MOVE The Trumpet As Movie Star – Romain Leleu, Stuttgart Philharmonic Orchestra/Bosch

    By Edward / 25/04/2022

    You might describe this entertaining disc as trumpeting (apologies) the extraordinary talents of Romain Leleu through a medium well used to making a star of his chosen instrument. And where else would you start in this celebration…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: AMERICA Bernstein/Gershwin/Ellington etc – Daniel Hope/Zürich Chamber Orchestra

    By Edward / 25/04/2022

    Daniel Hope was never just another violin virtuoso. His curiosity, his ability to think outside the box, to embrace passions beyond the so-called core repertoire, is borne out with each successive album. This one pays homage to…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich Symphony No. 7 ‘Leningrad – LSO/Noseda

    By Edward / 25/04/2022

    There is much to commend in Noseda’s account of this most extraordinary symphony – and I speak as one whose recent and exhaustive explorations of it on BBC Radio 3 have only served to intensify my admiration.…

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  • Musical Theatre,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – April 2022

    By Edward / 25/04/2022

    I never need much of an excuse to write about Leonard Bernstein – but in the wake of the Spielberg remake of West Side Story (doubtless laden with awards by the time these words are published) I…

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