During the best part of the last year we’ve come to appreciate, indeed rely upon, the technology, endeavour, and resource that has kept the music coming through lockdown after lockdown and seen a comparatively new phrase become…
Like many I was thoroughly absorbed by John Bridcut’s touching film about Bernard Haitink – The Enigmatic Maestro. Not entirely sure about the title because what you see is surely what you get with Haitink: a decent,…
Musical theatre star Laura Pitt-Pulford discusses Parade, Mack & Mabel, Falsettos and Flowers for Mrs Harris, her love of Sondheim, the thrill of new writing and the joy of new motherhood with Edward Seckerson. Enjoy!… [Read More]
Capitalising on Mirga Gražinytė-Tyla and the CBSO’s ‘Record of the Year’ triumph at this year’s Gramophone Awards this purely digital release – a growing trend – gives notice of a two-CD release (scheduled for March next year)…
Hard on the heels of the thrilling John Storgards/ BBC Philharmonic account on Chandos comes another performance I was lucky enough to experience live in December of last year. And a marked distinction in approach is immediately…
Among the many treasured recordings that I have found refuge in during a spring, summer and autumn of discontent for live music and theatre this year a souvenir DVD of the fabulous 2005 David McVicar staging of…
Olivier Award-winning West End and Broadway star, Jenna Russell discusses the challenges and rewards of performing works by Stephen Sondheim and Jason Robert Brown, and the importance of nurturing innovative new musicals with Edward Seckerson.… [Read More]
The Independent Monday 14 April 2014 Michael Ball seems to have it all – the finest show voice of his generation, charm, good looks, swooning fans. But? In Edward Seckerson’s opinion, there are no buts. Careers in…
Vasily Petrenko, celebrated Chief Conductor of the Oslo Philharmonic (between 2013-2020), the Royal Liverpool Philharmonic and Music Director Designate of the Royal Philharmonic Orchestra discusses his new recording of Prokofiev and Myaskovsky with his Norwegian orchestra, his…
Like Oliver Twist I’m left wanting more. Clearly this Suite from Tchaikovsky’s masterpiece was part of a larger concert programme serving its purpose well in the wider context – and maybe, just maybe, it was just too…
