Bryn Fest, Royal Festival Hall
There could be no Bryn Fest (Terfel, that is) without show tunes. But the spectacle of the great Welsh bass-baritone arriving on stage sporting a wrap-around “Madonna” mic is not one I care to repeat in a…
There could be no Bryn Fest (Terfel, that is) without show tunes. But the spectacle of the great Welsh bass-baritone arriving on stage sporting a wrap-around “Madonna” mic is not one I care to repeat in a…
It’s the age of long hair and raging hormones, wide lapels and wider collars, the age of new found “permissiveness” where the world and his dog are gagging for some extra-curricular congress and the great and good…
A blackbird descends, Damon Albarn sings of England, and a cavalcade of our national identity – from punk rocker to city gent, cricket to morris dancing, suffragettes to Lord Nelson – passes before our eyes, each representative…
The sight of Kim Begley’s old and broken Captain Vere silently mouthing Billy Budd’s death sentence as it is read out in the final scene of Britten’s opera will be one of the enduring images of David…
More Basildon than Bastille, David McVicar’s grungy staging of La Boheme heralded the new millennium amidst concrete and steel, fire hazards and fire escapes, chavs and chav nots, bringing our “bohemians” into the here and now with…
It might be deduced that the only thing worse than working with children and animals would be working with children as animals. But Leos Janacek was unfazed by the old Hollywood adage and his cartoon-strip derived opera…
It’s extraordinary how the symbiosis of spirit and rightness of timbre between an artist and a composer can turn a recital around. The Czech mezzo-soprano Magdalena Kozena is not a natural recitalist tending to overwork and over-illustrate…
Where there’s Falstaff there’s food. And Robert Carsen’s new staging of Verdi’s final operatic masterpiece plays like an ode to gastronomical excess. It begins with a binge and ends with a banquet and even the scene of…
One bar into this timely celebration of his work and the composer’s identity could not be in doubt. The voice is unmistakable, of course, but so too a sense of the era in which he lived and…
Not just another revival of a venerable old staging but its 25th showing in the 50th year of director John Copley’s work at the Royal Opera House. They served up a cake and a vintage cast for…