Edward Seckerson
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    Prom 4: Brian “Gothic Symphony”, Royal Albert Hall

    By Edward / 18/07/2011

    Two entire blocks of stalls and at least a third of the arena had been commandeered by the children’s choruses and four brass bands, each with its own timpanist; the combined BBC National Orchestra of Wales and…

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  • Reviews

    Prom 2: Rossini “William Tell”, Royal Albert Hall

    By Edward / 17/07/2011

    You couldn’t see the Lone Ranger for dust – and I doubt we’ve ever heard the most famous gallop in music despatched with such fleet-footed (or should that be hooved) panache. But there are another four or…

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  • Reviews

    Puccini “Tosca”, Royal Opera House

    By Edward / 15/07/2011

    Bring together three of the most intuitive talents (and biggest stars) on the planet, meld them under the baton of Antonio Pappano whose command of every caress, swoon, and dramatic impulse of Puccini’s Tosca is not learned…

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  • Reviews

    Massenet “Cendrillon”, Royal Opera House

    By Edward / 06/07/2011

    The words are in French but still familiar – “Once upon a time….” – and the story which follows, Cendrillon (that’s Cinderella to you and me), is writ large across the surfaces of Barbara de Limburg’s set,…

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  • Reviews

    Handel “Rinaldo”, Glyndebourne Festival Opera

    By Edward / 03/07/2011

    It’s the second school “outing” of the season. First Christopher Alden took Britten back to visit his past in A Midsummer Night’s Dream at ENO and now Robert Carsen is playing schoolboy heroics and fantasy football with…

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  • Reviews

    Puccini “Madama Butterfly”, Royal Opera House

    By Edward / 30/06/2011

    One can only hope that the ill wind which strips away the cherry blossom at the close of Patrice Caurier and Moshe Leiser’s feeble 2003 production of Madama Butterfly might soon carry off the entire staging. I’ve…

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  • Reviews

    Muhly/Lucas “Two Boys”, English National Opera

    By Edward / 25/06/2011

    The most surprising thing about Two Boys is the consonance and quiet sensuality of the score. Many words spring to mind: elegiac, mournful, poetic, melismatic – a digital age score without digitalisms, without electronics, actual or simulated,…

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  • Reviews

    Britten “Peter Grimes”, Royal Opera House

    By Edward / 22/06/2011

    Willy Decker’s 1994 production of Britten’s Peter Grimes has not worn well and pales now in the shadow of David Alden award-winning staging down the road at English National Opera. That, too, is due for revival. Decker’s…

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  • Reviews

    London Symphony Orchestra, Pires, Haitink, Barbican Hall

    By Edward / 15/06/2011

    Her appearances in this country are rare enough as it is so to discover that Maria Joao Pires was to be a late substitute (for the indisposed Murray Perahia) was precious consolation indeed. She played Mozart’s last…

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  • Reviews

    Staatskapelle Berlin, Barenboim, Boulez, Royal Festival Hall

    By Edward / 14/06/2011

    Liszt and Wagner, Boulez and Barenboim – iconic names, analogous kinships. As conductors and musical soulmates both Boulez and Barenboim have boldly sought and found satisfying answers to the Wagner myth but who, one wonders, could have…

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  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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