It’s strange, but after decades of neglect the music of Florence Price seems uncannily familiar. The soulful themes with their American Deep South tinta, the trumpet-led brass chorales, the jazzy jubas – this is Price’s musical milieu…

With Shostakovich’s word-setting what happens between the words is, more than with any other composer I know (with the exception of Britten to whom the 14th Symphony is dedicated), reflected in what is happening between the notes.…

What a shrewd coupling: seemingly unlikely bedfellows united not just by dint of having both been written in Italy (the Walton, of course, at his retreat in Ischia) but by a certain something in the water…the Mediterranean,…

It is refreshing to encounter a singer – Robyn Allegra Parton – whose gifts of curation are it would seem fully equal to her musicianship. You might argue that the album’s artwork is a sprinkling of gold-leaf…

Vanska’s Mahler 9 arrives in the wake of Rattle’s recent Bayrischen Rundfunk recording – his third of the piece – and perhaps the quality most found wanting by comparison with Rattle is warmth. It’s true that this…

As with the first instalment of Nézet-Séguin’s symphonic Rachmaninov there’s a very real sense here of this music coming home, of a sound, a style, an ethos, in playing it that somehow – subliminally – gets passed…

Kerson Leong’s splendid account of the Bruch comes hot on the heals of Ryan Goosby’s no less committed reading with Yannick Nézet-Séguin and the Philadelphia Orchestra. But there are notable differences in tone which might loosely be…