GRAMOPHONE Review: Mahler Das Lied von der Erde – Budapest Festival Orchestra, Fischer / Het Collectief, de Leeuw
Listening to Ivan Fischer’s account of Das Lied von der Erde so soon after nominating Jurowski’s Berlin/Pentatone recording for ‘Record of the Month’ (September) only serves to underline how pointedly Jurowski and his Berlin Radio engineers made…
GRAMOPHONE: From Where I Sit – Awards 2020 Issue
Reflecting on ‘Callow meets Rattle’ in the September issue, the theatre animal within me (some readers may be unaware that I was briefly an actor in another life) is moved to consider once more why Leos Janacek…
GRAMOPHONE Review: Russian Colours – Camerata Tchaikovsky/Zhislin
The small and perfectly formed have come into their own during the pandemic with new and existing chamber arrangements making virtue out of necessity and ensembles like Yuri Zhislin’s terrific 19-strong Camerata Tchaikovsky fashioning more of less…
GRAMOPHONE Review: Shostakovich & Muhly/Helbig/Long Cello Concertos – Jan Vogler, Mariinsky Orchestra/Gergiev & WDR Symphony Orchestra/Măcelaru
A brand new Cello Concerto – one piece, three composers, ‘three continents’. As Jan Vogler, the commissioner, puts it: ‘I’m a German, I live in America, and I’m married to a Chinese woman. My life is enriched…
GRAMOPHONE Review: Ives Complete Symphonies – Los Angeles Philharmonic Orchestra/Dudamel
The evolution of American music is chronicled right here in this quartet of symphonies. And when heard – as I did here – in a single sitting – it’s as if Ives is transitioning from the Old…
GRAMOPHONE: From Where I Sit – October 2020
In a recent and far-reaching exchange with the conductor John Wilson (for an audio podcast to be found on You Tube) the names George Szell and Sir John Barbirolli (celebrated in the July edition) dominated our conversation…
GRAMOPHONE Review: Mahler Symphony No. 7 – Minnesota Orchestra/Vänskä
I might have predicted that this of all the Mahler symphonies would chime with Osmo Vänskä’s very particularly gifts as a conductor. The brilliance and clarity of this performance (and recording – BIS technical prowess much in…
GRAMOPHONE Review: Mahler Das Lied von der Erde – Dame Sarah Connolly, Robert Dean Smith, Rundfunk-Sinfonieorchester Berlin/Jurowski
This is a performance of such distinction that regardless of one’s personal view of the piece – that is, exactly how objective or subjective you want or need your Mahler to be and whether you favour an…
GRAMOPHONE: From Where I Sit – August 2020
It’s always interesting getting feedback on reviews published within these pages whether there is agreement or a difference of opinion – these things are so subjective. It’s been a while, though, since a review of mine prompted…
GRAMOPHONE COLLECTION: Bernstein’s Mass
It was back in 1989 during my one and only audience with Leonard Bernstein that I experienced what I believe would now be referred to as ‘a moment’. We were discussing ‘the song about the writing of…