Edward Seckerson
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  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • London Symphony Orchestra, Rattle, Barbican Hall
  • GRAMOPHONE Review: Bernstein Symphonies Nos. 1 & 2 - Baltimore Symphony/Alsop
  • Michael Ball: Voice of the People
  • GRAMOPHONE Review: Shostakovich Symphony No. 10 - Ural Philharmonic Orchestra/Liss & New Philharmonia Orchestra/Sanderling
  • Britten "A Midsummer Night's Dream", English National Opera, London Coliseum
  • Richard Rodney Bennett (1936-2012)
  • GRAMOPHONE Review: Elgar The Dream of Gerontius - Soloists, Staatskapelle Berlin/Barenboim

Top Posts & Pages

  • Home
  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • London Symphony Orchestra, Rattle, Barbican Hall
  • GRAMOPHONE Review: Bernstein Symphonies Nos. 1 & 2 - Baltimore Symphony/Alsop
  • Michael Ball: Voice of the People
  • GRAMOPHONE Review: Shostakovich Symphony No. 10 - Ural Philharmonic Orchestra/Liss & New Philharmonia Orchestra/Sanderling
  • Britten "A Midsummer Night's Dream", English National Opera, London Coliseum
  • Richard Rodney Bennett (1936-2012)
  • GRAMOPHONE Review: Elgar The Dream of Gerontius - Soloists, Staatskapelle Berlin/Barenboim
On Stage

A Conversation With MICHAEL BERKLEY: Launch of the Nash Ensemble’s American Series

07/03/2013

_66098370_berkeleyr3(b)Saturday 9th November 2013, Wigmore Hall Bechstein Room 6.00pm

Conversation with MICHAEL BERKELEY to launch the Nash Ensemble’s American Series

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By Edward
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