Edward Seckerson
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  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • London Symphony Orchestra, Rattle, Barbican Hall
  • GRAMOPHONE Review: Bernstein Symphonies Nos. 1 & 2 - Baltimore Symphony/Alsop
  • Michael Ball: Voice of the People
  • GRAMOPHONE Review: Shostakovich Symphony No. 10 - Ural Philharmonic Orchestra/Liss & New Philharmonia Orchestra/Sanderling
  • Britten "A Midsummer Night's Dream", English National Opera, London Coliseum
  • Richard Rodney Bennett (1936-2012)
  • GRAMOPHONE Review: Elgar The Dream of Gerontius - Soloists, Staatskapelle Berlin/Barenboim
  • Classical Music,  Opera,  Reviews

    Wagner “Der fliegende Holländer”, Zurich Opera, Royal Festival Hall

    By Edward / 16/12/2012

    Why anyone these days would want to perform Wagner’s Der fliegende Holländer with an interval when even the three act version was so plainly fashioned to be performed without one is beyond me. There is that tell-tale…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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