Edward Seckerson
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  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • Philharmonia Orchestra, Davis, Royal Festival Hall
  • Prom 37: Elgar "The Apostles", Hallé Orchestra & Choirs, Elder - Review*****
  • Amadeus, Chichester Festival Theatre
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • Classical Music,  Reviews

    Mitsuko Uchida, Royal Festival Hall (Review)

    By Edward / 07/03/2013

    The magic usually descends quickly in a Mitsuko Uchida recital but the opening Bach of this rescheduled Festival Hall concert – a pair of Preludes and Fugues from Book 2 of The Well-Tempered Klavier – took a…

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  • Reviews

    Proms 30 & 31, National Youth Orchestra, Jurowski/ Nigel Kennedy, Royal Albert Hall

    By Edward / 07/08/2011

    The building had barely cooled down after the Simon Bolivar Mahler the previous night but youth still ruled at the Proms with the arrival of our own National Youth Orchestra and that eternal wild child Nigel Kennedy…

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  • Reviews

    Murray Perahia, Barbican Hall

    By Edward / 31/03/2011

    How to describe Murray Perahia’s qualities? Elegance, fluency, modesty, clarity – and an abiding sense of the poetic. In the final piece of Schumann’s Kinderszenen “Der Dichter spricht” – “the poet speaks” – Perahia’s own inner voice…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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