Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • ANTONIO PAPPANO in conversation with Edward Seckerson
  • TUESDAY 22ND JUNE 2010 MASSENET “MANON” Royal Oper…
  • The Bodyguard, Adelphi Theatre (Review)
  • GRAMOPHONE Review: Lloyd Webber Cinderella - Original London Cast
  • Classical Music,  Reviews

    Prom 21: BBC National Orchestra of Wales, Sondergard, Royal Albert Hall (Review)

    By Edward / 30/07/2013

    The “Turning Point” in Colin Matthews’ so named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it – whatever it…

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  • Reviews

    Prom 32: Bernstein “Mass”, BBC National Orchestra of Wales, Järvi – Review

    By Edward / 07/08/2012

    Pace the naysayers (and there are still many of them): Bernstein’s Mass IS a masterpiece. But it’s also a theatre piece and what unfolded here at this inexplicably belated Prom premiere (inexplicable because if ever there was…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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