Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • A Conversation With RICHARD BLACKFORD
  • GRAMOPHONE: From Where I Sit - August 2019
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • Classical Music,  Reviews

    Prom 75: Vienna Philharmonic Orchestra, Haitink, Royal Albert Hall – Review ****

    By Edward / 08/09/2012

    The Vienna Philharmonic Orchestra can play Haydn’s last symphony – No 104 “London” – in its sleep but that is not, I hasten to add, the impression one wants to take away from any performance of it…

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  • Reviews

    London Symphony Orchestra, Pires, Haitink, Barbican Hall

    By Edward / 15/06/2011

    Her appearances in this country are rare enough as it is so to discover that Maria Joao Pires was to be a late substitute (for the indisposed Murray Perahia) was precious consolation indeed. She played Mozart’s last…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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