Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • ANTONIO PAPPANO in conversation with Edward Seckerson
  • TUESDAY 22ND JUNE 2010 MASSENET “MANON” Royal Oper…
  • The Bodyguard, Adelphi Theatre (Review)
  • GRAMOPHONE Review: Lloyd Webber Cinderella - Original London Cast
  • Opera,  Reviews

    “Billy Budd”, Glyndebourne Festival Opera (Review)

    By Edward / 11/08/2013

    “This is not his trial, it is mine”, says Captain Fairfax Vere as he sees the inevitability of Billy Budd’s condemnation. “My heart’s broken, my life’s broken”, he concludes, and by having him bear witness to Billy’s…

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  • Reviews

    Britten “Billy Budd”, English National Opera

    By Edward / 19/06/2012

    The sight of Kim Begley’s old and broken Captain Vere silently mouthing Billy Budd’s death sentence as it is read out in the final scene of Britten’s opera will be one of the enduring images of David…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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