Edward Seckerson
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Top Posts & Pages

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  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • THURSDAY 4TH FEBRUARY 2010 MACIEJEWSKI “REQUIEM” *…
  • A Conversation with CHRISTOPHE ROUSSET
  • Don Giovanni, Glyndebourne
  • DAME JANET BAKER in Conversation: Newbury Spring Festival
  • GRAMOPHONE Review: Elgar & Walton Cello Concertos - Gautier Capuçon, London Symphony Orchestra/Pappano
  • SATURDAY 7TH AUGUST 2010 NATIONAL YOUTH ORCHESTRA/…
  • SONDHEIM at 80: In Good Company - Part Three
  • Classical Music,  Reviews

    Prom 58, “Salome”, Deutsche Oper Berlin, Runnicles, Royal Albert Hall

    By Edward / 31/08/2014

    It has been said many times (and by Strauss himself) that the title role of Strauss’ Salome requires at least two different voices. Nina Stemme has both of them. And so seamlessly, artfully, are they rolled into…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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