Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • A Conversation With RICHARD BLACKFORD
  • GRAMOPHONE: From Where I Sit - August 2019
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • Classical Music,  Opera,  Reviews

    Prom 20: Wagner “Götterdämmerung”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 29/07/2013

    And so Wotan’s ravens flew home and at the twilight’s last gleaming the immortals were consumed by fire and water. All was finally and irrevocably redeemed by the power of love and the most beautiful of all…

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  • Classical Music,  Opera,  Reviews

    Prom 15: Wagner “Die Walküre”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 24/07/2013

    An evening of high drama: a very public altercation between conductor and concert master, a Wagnerian memory lapse from the leading lady, but one of the most thrilling accounts of Die Walküre you will ever hope to…

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  • Classical Music,  Opera,  Reviews

    Prom 14: Wagner “Das Rheingold”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)

    By Edward / 23/07/2013

    Senses we didn’t even know we had come alive with the sound of that E-flat sunk so deep in string basses that it can be felt as well as heard. But the frisson we experience as this…

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  • Reviews

    Prom 13: West-Eastern Divan Orchestra, Barenboim, Royal Albert Hall – review

    By Edward / 25/07/2012

    On the evidence of the series so far I doubt anyone was expecting Stravinsky’s favourite Beethoven Symphony – the 8th – to spring from the starting blocks with the kind of propulsive dynamism implicit in the composer’s…

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  • Reviews

    Staatskapelle Berlin, Barenboim, Royal Festival Hall

    By Edward / 17/04/2012

    The furtive opening bars of Mozart’s C minor Piano Concerto No. 24 were shrouded in a mellowness of tone that made them welcoming rather than darkly unsettling and as the well upholstered sound of the venerable Staatskapelle…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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