Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • Rodgers & Hammerstein's 'ALLEGRO' First Complete Recording
  • Adams "El Nino", Royal Festival Hall
  • GRAMOPHONE Review: Price Symphonies Nos. 1 & 3 - The Philadelphia Orchestra/Nézet-Séguin
  • National Youth Orchestra of Great Britain, Petrenko, Royal Festival Hall
  • A Spoonful of Sherman, St. James' Theatre Studio
  • Classical Music,  Reviews

    Prom 21: BBC National Orchestra of Wales, Sondergard, Royal Albert Hall (Review)

    By Edward / 30/07/2013

    The “Turning Point” in Colin Matthews’ so named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it – whatever it…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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