Edward Seckerson
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Top Posts & Pages

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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • ANTONIO PAPPANO in conversation with Edward Seckerson
  • TUESDAY 22ND JUNE 2010 MASSENET “MANON” Royal Oper…
  • The Bodyguard, Adelphi Theatre (Review)
  • GRAMOPHONE Review: Lloyd Webber Cinderella - Original London Cast
  • Reviews

    Hallé Orchestra, Elder, Bridgewater Hall, Manchester

    By Edward / 26/02/2011

    The connection between Verdi’s Overture to Luisa Miller and Mozart’s G major Piano Concerto No.17 may not immediately have been apparent but a few pages of both quickly pointed up operatic common ground. The curtain was duly…

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  • Reviews

    Elgar “The Kingdom”, London Symphony Orchestra & Chorus, Elder, Barbican Hall

    By Edward / 31/01/2011

    Elgar’s The Kingdom arrives in the heat of inspiration on a surge of orchestral magnificence. A glorious theme representing “New Faith” is announced in the strings, as noble and aspirational as anything Elgar wrote. If his own…

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  • Reviews

    Philharmonia Orchestra, Capucon, Norrington, Royal Festival Hall

    By Edward / 15/12/2010

    These days Sir Roger Norrington tends to stop, look, and listen rather than get stuck in; it’s almost as if it is someone else’s performance and not his own that he is enjoying. While the hive of…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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