Edward Seckerson
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  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • Britten "Peter Grimes", Royal Opera House
  • Elgar The Apostles, BBC Symphony Orchestra, BBC Symphony Chorus, Davis, Barbican Hall
  • GRAMOPHONE Review: Mahler Symphony No. 7 - Royal Concertgebouw Orchestra/Mariss Jansons
  • GRAMOPHONE Review: Shostakovich Symphonies 1, 14, & 15 Boston Symphony Orchestra/Nelsons
  • GRAMOPHONE Review: Mahler Symphony No 7 - Bavarian RSO/Rattle
  • A Conversation With SIR ANTONIO PAPPANO: Rossini's 'William Tell'
  • Der Rosenkavalier, Glyndebourne Festival Opera
  • Reviews

    London Philharmonic Orchestra, Saraste, Royal Festival Hall

    By Edward / 16/12/2010

    In a programme note for the premiere of his 2nd Violin Concerto in 1943 Bohuslav Martinu wrote of the eternal tension between “absolute music” and music with an expressive purpose. But times and attitudes change and his…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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