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Top Posts & Pages

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet - Los Angeles Philharmonic/Dudamel

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Classical Music,  Reviews

    Prom 31: Hallé, Coote, Elder, Royal Albert Hall

    By Edward / 10/08/2014

    The levels of refinement now exhibited by the Hallé, the stylishness and elegance of the playing, is alone a measure of the special relationship that they and Mark Elder have cemented over the last decade and a…

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  • Reviews

    Prom 37: Elgar “The Apostles”, Hallé Orchestra & Choirs, Elder – Review*****

    By Edward / 11/08/2012

    For those of us who have always regarded The Apostles as the least of Elgar’s great trilogy of religious oratorios the magnificence of Mark Elder’s Hallé performance will have coaxed if not demanded re-evaluation. The Albert Hall…

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  • Reviews

    Prom 9: Hallé Orchestra, Elder, Royal Albert Hall

    By Edward / 22/07/2011

    Homecomings, real and imagined, marked out this season’s Hallé Prom. For Sibelius, brazen horn fanfares and myriad string ostinati carried us at the gallop to the heart of the Finnish heartlands. Everything in his rarely performed Scènes…

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  • Reviews

    Hallé Orchestra, Elder, Bridgewater Hall, Manchester

    By Edward / 26/02/2011

    The connection between Verdi’s Overture to Luisa Miller and Mozart’s G major Piano Concerto No.17 may not immediately have been apparent but a few pages of both quickly pointed up operatic common ground. The curtain was duly…

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Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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