Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • A Conversation With RICHARD BLACKFORD
  • GRAMOPHONE: From Where I Sit - August 2019
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • Classical Music,  Reviews

    Britten “War Requiem”, London Philharmonic Orchestra & Choir, Jurowski, Royal Festival Hall (Review)

    By Edward / 13/10/2013

    Britten’s innate theatricality shines through every single bar of his War Requiem. Atmosphere, drama, suspense, and high emotionalism is to a greater or lesser degree written into the piece (something which the naysayers always latch on to).…

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  • Asides

    Briefly…

    By Edward / 14/02/2013

    A week that has been nothing if not varied in style and content…. Today (Thursday) I spent an absorbing hour in the erudite company of Ian Bostridge talking Benjamin Britten and Peter Pears for an EMI audio…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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