Edward Seckerson
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Top Posts & Pages

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  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • London Symphony Orchestra, Rattle, Barbican Hall
  • GRAMOPHONE Review: Bernstein Symphonies Nos. 1 & 2 - Baltimore Symphony/Alsop
  • Michael Ball: Voice of the People
  • GRAMOPHONE Review: Shostakovich Symphony No. 10 - Ural Philharmonic Orchestra/Liss & New Philharmonia Orchestra/Sanderling
  • Britten "A Midsummer Night's Dream", English National Opera, London Coliseum
  • Richard Rodney Bennett (1936-2012)
  • GRAMOPHONE Review: Elgar The Dream of Gerontius - Soloists, Staatskapelle Berlin/Barenboim
  • Asides

    The Cherry Orchard, Young Vic

    By Edward / 17/10/2014

    For a play in which inertia, atrophy, indecision, and the inability to move forward are key elements – aren’t they always in Chekhov – Katie Mitchell’s marvelously busy and concentrated staging of The Cherry Orchard fair zips…

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  • Opera,  Reviews

    Benjamin/Crimp “Written On Skin”, Royal Opera House (Review)

    By Edward / 09/03/2013

    George Benjamin and Martin Crimp’s Written On Skin arrives at the Royal House for its UK premiere trailing extraordinary plaudits from all who’ve seen it. One can understand why. Music theatre is such a delicate, precarious, business…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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