Edward Seckerson
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Top Posts & Pages

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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • Philharmonia Orchestra, Davis, Royal Festival Hall
  • Prom 37: Elgar "The Apostles", Hallé Orchestra & Choirs, Elder - Review*****
  • Amadeus, Chichester Festival Theatre
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • Reviews

    Janacek “The Cunning Little Vixen”, Glyndebourne Festival Opera

    By Edward / 21/05/2012

    It might be deduced that the only thing worse than working with children and animals would be working with children as animals. But Leos Janacek was unfazed by the old Hollywood adage and his cartoon-strip derived opera…

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  • Reviews

    Mendelssohn “Elijah”, Britten Sinfonia and Britten Sinfonia Voices, Delfs, Barbican Hall

    By Edward / 08/03/2012

    The Victorians have a lot to answer for. Their appetite for the Old Testament blood and thunder of Mendelssohn’s Elijah knew no bounds – and they liked it big. Size mattered and that big-is-better, choir-of-thousands, communal approach…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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