Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • Philharmonia Orchestra, Davis, Royal Festival Hall
  • Prom 37: Elgar "The Apostles", Hallé Orchestra & Choirs, Elder - Review*****
  • Amadeus, Chichester Festival Theatre
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • Reviews

    Orchestra of the Accademia Nationale Di Santa Cecilia, Pappano, Anvil Basingstoke

    By Edward / 18/03/2011

    The Orchestra of the Academia Nazionale Di Santa Cecilia, Rome, brought a little something home grown on this their fleeting UK tour. While their counterparts at the Royal Opera in London were tracing out the ethereal opening…

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  • Reviews

    Orchestra of the Royal Opera House, Pappano, Cadogan Hall

    By Edward / 28/02/2011

    Exactly one week after the Berlin Philharmonic Orchestra memorably presented key players in a chamber setting, Antonio Pappano has done likewise with his Royal Opera House Orchestra – and what’s more found a common denominator. You go…

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  • Reviews

    Berlin Philharmonic Orchestra, Rattle, Barbican Hall

    By Edward / 22/02/2011

    They’ve called this unprecedented five-day residency “The London Concerts” and having already shown off the youthful core of players at the heart of this venerable and venerated orchestra, the Berlin Philharmonic Orchestra duly expanded from chamber to…

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  • Reviews

    London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

    By Edward / 20/02/2011

    Two perfect works in perfect equilibrium; Mozart and Mahler well met indeed. But even as the violin and viola soloists separated from the opening tutti of Mozart’s Sinfonia Concertante in E-flat in perfectly symmetrical octaves it was…

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  • Reviews

    LSO, Alsop, Barbican Hall

    By Edward / 06/12/2010

    It was extraordinary but not especially surprising how Gustav Mahler’s presence could loom so large in a concert containing not one single note of his music. His pointless “retouching” of the Beethoven symphonies and wholesale repression of…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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