Edward Seckerson
Alt Sidebar
Random Article
Search
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact

Top Posts & Pages

  • Home
  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • A Conversation With RICHARD BLACKFORD
  • GRAMOPHONE: From Where I Sit - August 2019
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • Opera,  Reviews

    The Girl of the Golden West, English National Opera, London Coliseum

    By Edward / 03/10/2014

    Well, there won’t be any complaints about performing this one in English – or should that be American. Thank heavens Richard Jones has made Puccini’s spaghetti western an operatic-home-counties-free-zone and got his cast delivering Kelley Rourke’s translation…

    Read More
  • Opera,  Reviews

    Der Rosenkavalier, Glyndebourne Festival Opera

    By Edward / 18/05/2014

    You can count on Richard Jones for challenging our perceptions and turning expectation on its head but the image of the Marschallin rising Venus-like from her bath while showers of water rain down like gold dust on…

    Read More
  • Asides

    Briefly… Falstaff, Glyndebourne Festival Opera

    By Edward / 25/05/2013

    It’s a world of girl guides, animatronic cats, and cabbages. Ford’s garden apparently yields nothing else. And whilst the flat surfaces and wonky perspectives of designer Ultz’ sets aren’t too prepossessing in themselves they serve the child…

    Read More
  • Opera,  Reviews

    Martinu “Julietta”, English National Opera – Review ****

    By Edward / 18/09/2012

    Julietta. The name is spelt out across the front cloth in the shifting body shapes of a sleeping figure – Michel Lepic, a bookseller (Peter Hoare). He stirs where the final “A” should be and with a…

    Read More
  • Reviews

    Puccini “Il Trittico”, Royal Opera House

    By Edward / 13/09/2011

    The accepted wisdom on Puccini’s trio of one-acters, Il Trittico, is that Gianni Schicchi is the masterpiece, Suor Angelica of very particular and questionable taste, with Il Tabarro, all shadow and melodrama, bringing up the rear. But…

    Read More

Latest Tweets

My Tweets
Follow Us on FacebookFollow Us on Twitter

Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

Follow

Enter your email address to receive notifications of new posts by email.

Back Stage

  • Login
Bard Child Theme by Royal Flush.
Back to top