Edward Seckerson
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  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • ANTONIO PAPPANO in conversation with Edward Seckerson
  • TUESDAY 22ND JUNE 2010 MASSENET “MANON” Royal Oper…
  • The Bodyguard, Adelphi Theatre (Review)
  • GRAMOPHONE Review: Lloyd Webber Cinderella - Original London Cast
  • Reviews

    Orchestra of the Age of Enlightenment, Elder, Royal Festival Hall

    By Edward / 19/02/2012

    Such is Berlioz’ persuasive theatricality that even when he is rearranging Shakespeare one is inclined to ask not what the Bard is doing for him but rather what he is doing for the Bard. His unprecedented Symphonie…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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