Edward Seckerson
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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • London Symphony Orchestra, Petrenko, Barbican Hall (Review)
  • ANTONIO PAPPANO in conversation with Edward Seckerson
  • TUESDAY 22ND JUNE 2010 MASSENET “MANON” Royal Oper…
  • The Bodyguard, Adelphi Theatre (Review)
  • GRAMOPHONE Review: Lloyd Webber Cinderella - Original London Cast
  • Classical Music,  Reviews

    Adams “El Nino”, Royal Festival Hall

    By Edward / 15/12/2013

    During the momentous last century – so richly contextualised in the South Bank’s The Rest is Noise festival – there were two points at which factions within the musical establishment sought to step back, take stock, and…

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  • Reviews

    Prom 58: Mendelssohn “Elijah”, Gabireli Consort & Players, McCreesh, Royal Albert Hall

    By Edward / 29/08/2011

    When the fiery chariot finally arrived to transport Elijah aloft and the antiphonal trumpets and drums and assorted ophicleides of Paul McCreesh’s mightily augmented Gabrieli Players Consort and Players were rent asunder by the open-stopped thrust of…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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