Edward Seckerson
Alt Sidebar
Random Article
Search
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact

Top Posts & Pages

  • Home
  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • London Symphony Orchestra, Rattle, Barbican Hall
  • GRAMOPHONE Review: Bernstein Symphonies Nos. 1 & 2 - Baltimore Symphony/Alsop
  • Michael Ball: Voice of the People
  • GRAMOPHONE Review: Shostakovich Symphony No. 10 - Ural Philharmonic Orchestra/Liss & New Philharmonia Orchestra/Sanderling
  • Britten "A Midsummer Night's Dream", English National Opera, London Coliseum
  • Richard Rodney Bennett (1936-2012)
  • GRAMOPHONE Review: Elgar The Dream of Gerontius - Soloists, Staatskapelle Berlin/Barenboim
  • Reviews

    Elizabeth Llewellyn, Simon Lepper, St. John’s, Smith Square

    By Edward / 14/04/2011

    The first thing you notice about Elizabeth Llewellyn’s voice is the bloom – a plushy, covered quality that extends pretty much throughout the range and only hardens under pressure at the top. The slightly chilly St. John’s…

    Read More

Latest Tweets

My Tweets
Follow Us on FacebookFollow Us on Twitter

Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

Back Stage

  • Login
Bard Child Theme by Royal Flush.
Back to top