Edward Seckerson
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Top Posts & Pages

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  • GRAMOPHONE Review: Elfman Violin Concerto 'Eleven Eleven' - Cameron, Royal Scottish National Orchestra/Mauceri
  • Sondheim/Furth "Merrily We Roll Along", Menier Chocolate Factory (Review)
  • London Symphony Orchestra, Rattle, Barbican Hall
  • GRAMOPHONE Review: Bernstein Symphonies Nos. 1 & 2 - Baltimore Symphony/Alsop
  • Michael Ball: Voice of the People
  • GRAMOPHONE Review: Shostakovich Symphony No. 10 - Ural Philharmonic Orchestra/Liss & New Philharmonia Orchestra/Sanderling
  • Britten "A Midsummer Night's Dream", English National Opera, London Coliseum
  • Richard Rodney Bennett (1936-2012)
  • GRAMOPHONE Review: Elgar The Dream of Gerontius - Soloists, Staatskapelle Berlin/Barenboim
  • Classical Music,  Reviews

    London Symphony Orchestra, Petrenko, Barbican Hall (Review)

    By Edward / 19/10/2012

    It should have been Sir Colin Davis, of course (and the news filtering through on Sir Colin is sadly not encouraging), but the very first chord of Beethoven’s “Emperor” Concerto was a startling demonstration of what makes…

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  • Reviews

    Australian Chamber Orchestra, Tognetti, Queen Elizabeth Hall

    By Edward / 30/11/2011

    At the core of the Australian Chamber Orchestra is a string ensemble, soloistic in nature, enquiring in spirit, whose connections one to the other make for a palpable kind of musical telepathy. Energy and vitality are key…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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