Edward Seckerson
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Top Posts & Pages

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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • A Conversation With STING: Symphonicities
  • GRAMOPHONE: From Where I Sit - April 2022
  • Philharmonia Orchestra, Davis, Royal Festival Hall
  • Prom 37: Elgar "The Apostles", Hallé Orchestra & Choirs, Elder - Review*****
  • Amadeus, Chichester Festival Theatre
  • A Conversation With MARKUS STENZ
  • GRAMOPHONE Review: Bernstein Symphony No. 2 The Age of Anxiety - Berlin Philharmonic/Zimerman Rattle
  • Asides

    A Little Night Music, Palace Theatre

    By Edward / 27/01/2015

    Can it really be 40 years since Sondheim’s waltzy, nostalgia-flecked, fancy first intoxicated our senses with its promise of indiscretion and insatiable desire? But that’s the thing, isn’t it – every Sondheim piece feels brand new on…

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  • Musical Theatre,  Reviews

    Assassins, Menier Chocolate Factory

    By Edward / 02/12/2014

    Santa Claus does make it to the Menier Chocolate Factory this Christmas but his name is Sam Byck and he plans to fly a 747 into the White House and “incinerate Dick Nixon”. So not the Christmas…

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  • Musical Theatre,  Reviews

    Gypsy, Chichester Festival Theatre

    By Edward / 19/10/2014

    There’s a moment of stunned silence in Imelda Staunton’s storming Mama Rose at the Chichester Festival Theatre, a long, long, moment where neither speaking nor singing she conclusively demonstrates what a difference a great actress makes in…

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  • Musical Theatre,  Reviews

    Sondheim/Furth “Merrily We Roll Along”, Menier Chocolate Factory (Review)

    By Edward / 01/12/2012

    It seems inexplicable now that Stephen Sondheim and George Furth’s Merrily We Roll Along should have bombed so ignominiously on its first Broadway outing in 1981. But then again what is clearer than ever from Maria Friedman’s…

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  • Musical Theatre,  Reviews

    The Artistry of Maria Friedman and Jason Carr finally ignites the Hippodrome’s new Matcham Room – review

    By Edward / 06/09/2012

    It’s taken a while for the Hippodrome’s spanking new cabaret room to feel lived-in and alive and it’s taken a real artist – actually two real artists – to capitalise on its intimacy and generate a buzz.…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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