GRAMOPHONE: André Previn – A Tribute
‘You’ve kept those of us who grew up in the same years feeling young; you’ve kept those older than you correctly infuriated, and you’ve been a lighthouse of consistency…We depend on you and love you and trust…
GRAMOPHONE: From Where I Sit – April 2019
Last month’s comprehensive celebration of Riccardo Chailly (not least his four decades at Decca) has prompted me to reflect on a number of personal encounters and to think again about the very particular qualities that make this…
GRAMOPHONE Review: Mahler Symphony No. 7 – Budapest Festival Orchestra/Fischer
I honestly can’t remember hearing a performance of this extraordinary symphony which was so plainly in love with its ethos, its originality, its sonority. Ivan Fischer reads ‘the small print’ of the score with such thoroughness that…
GRAMOPHONE Review: Shostakovich Symphonies Nos. 6 & 7, Etc. – Boston Symphony Orchestra/Nelsons
We’ve come to expect a clear-sighted brilliance and technical excellence from this series. It’s become something of a benchmark in that respect. The Tenth Symphony arrived like a whirlwind to kick things off and there have been…
GRAMOPHONE: From Where I Sit – March 2019
In preparation for a public encounter with the astute and ever-enquiring Vladimir Jurowski on the subject of Wagner’s Der Ring des Nibelungen my mind goes back to the first time I saw the film of Patrice Chereau’s…
GRAMOPHONE Review: Brigadoon – New York City Center 2017 Cast/Berman
Of all Lerner and Loewe’s Broadway shows – and it’s a small but perfectly formed list – Brigadoon has to be my favourite. My Fair Lady is undoubtedly one of only a handful of musicals that could…
GRAMOPHONE Review: Songplay – Joyce DiDonato
What we have here is the epitome of what we Brits call a ‘Marmite’ experience with elements to love and/or loathe whether or not you buy the concept in the first place. Joyce DiDonato’s fans will, of…
GRAMOPHONE Review: Mussorgsky Pictures at an Exhibition & Tchaikovsky Symphony No. 4 – London Symphony Orchestra/Noseda
You would surely expect an Italian to tap into the heat and ardour of Tchaikovsky’s fate-fuelled Fourth Symphony – but ‘heavy and unyielding’ is all that I took away from Noseda’s decidedly unremarkable performance. A sternness prevails…
GRAMOPHONE: From Where I Sit – February 2019
With last month’s focus on a new generation of pianists in mind I am prompted to think again about something that is not often discussed with regard to international concertising: namely, not just what these exceptional young…
Claude-Michel Schönberg in conversation with Edward Seckerson
St James Concert & Assembly Hall, Guernsey Saturday 29th June 8pm The legendary composer of the musical Les Misérables visits the island where Victor Hugo wrote his classic novel. This June, Take a Left Productions will bring…
