The Grand Tour, Finborough Theatre
Everything about this little-known and largely forgotten show – including the title – suggests epic. Multiple locations, ambitious concept, big ideas. But like so much of Jerry Herman’s work – and the received wisdom on it is…
A Conversation With DAME JANET BAKER
Every now and again – but only very rarely – a professional engagement comes along that is so personal, so loaded with treasured associations, that it transcends all normal parameters and takes on a significance all of…
Assassins, Menier Chocolate Factory
Santa Claus does make it to the Menier Chocolate Factory this Christmas but his name is Sam Byck and he plans to fly a 747 into the White House and “incinerate Dick Nixon”. So not the Christmas…
A Conversation With RENÉE FLEMING
Renée Fleming, as part of Ms Fleming’s Humanitas Visiting Professorship in Opera Studies at the University of Oxford, November 2013. The discussion flowed from Edward’s opening question: ‘What makes now a different time to be a singer…
London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall
Music lovers invariably divide into two faction over the Brahms piano concertos: those who thrill to the elemental D minor and those who prefer to bask in the more reflective charms of the sumptuous B-flat Second Concerto.…
Memphis, Shaftesbury Theatre
It’s throwback week with two very different shows recalling the darkest days of America’s racial disharmony – but where The Scottsboro Boys shocks and satirises and has us choke on our own laughter Memphis is content to…
Gypsy, Chichester Festival Theatre
There’s a moment of stunned silence in Imelda Staunton’s storming Mama Rose at the Chichester Festival Theatre, a long, long, moment where neither speaking nor singing she conclusively demonstrates what a difference a great actress makes in…
The Scottsboro Boys, Garrick Theatre
You come away from The Scottsboro Boys sure of two things: that the next Cakewalk you ever hear will induce queasiness; and that the show’s director/choreographer Susan Stroman is some kind of genius. This kick-ass UK premiere,…
The Cherry Orchard, Young Vic
For a play in which inertia, atrophy, indecision, and the inability to move forward are key elements – aren’t they always in Chekhov – Katie Mitchell’s marvelously busy and concentrated staging of The Cherry Orchard fair zips…
A Conversation With MAUREEN LIPMAN
Maureen Lipman, the much-loved and extraordinarily versatile actress who made a sitcom of a commercial and whose stage work has ranged from Olivier’s National Theatre and the musicals of Leonard Bernstein and Rodgers and Hammerstein to a…
