Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE: Michael Tilson Thomas - A Personal Tribute

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Asides

    BBC Radio 2 Arts Show with Claudia Winkleman

    By shane / 12/10/2014

    Delighted to be back as a regular guest on the the Radio 2 Arts Show with the amazing Claudia Winkleman 03/10/2014: http://www.bbc.co.uk/programmes/b04hcmtp 06/03/2015: http://www.bbc.co.uk/programmes/b053zw4n… [Read More]

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  • Opera,  Reviews

    The Girl of the Golden West, English National Opera, London Coliseum

    By Edward / 03/10/2014

    Well, there won’t be any complaints about performing this one in English – or should that be American. Thank heavens Richard Jones has made Puccini’s spaghetti western an operatic-home-counties-free-zone and got his cast delivering Kelley Rourke’s translation…

    Read More
  • Classical Music,  Reviews

    BBC Symphony Orchestra, BBC Singers, Litton, Barbican Hall

    By Edward / 25/09/2014

    The problem with programming Charles Ives’ Fourth Symphony – and only the very bold and resourceful and/or the BBC are ever likely to do so – is that it eclipses everything, and I mean everything, in its…

    Read More
  • Linus Roth
    Podcasts

    A Conversation With LINUS ROTH: Crusading for Weinberg

    By shane / 17/09/2014

    The Polish composer Miecyzlaw Weinberg – his Holocaust opera The Passenger caused quite a stir in David Pountney’s premiere staging – has a new champion. The talented young German violinist Linus Roth has taken his music and…

    Read More
  • Opera,  Reviews

    Otello, English National Opera, London Coliseum

    By Edward / 14/09/2014

    It is 30 years ago – but feels like another life – that David Alden first exploded on to English National Opera’s Coliseum stage with his forever notorious cut-price staging of Tchaikovsky’s Mazeppa. None of us there…

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  • On Stage

    In Conversation and in Song with SOPHIE-LOUISE DANN

    By shane / 10/09/2014

    SOPHIE-LOUISE DANN Sunday 9th November 2014, St James Studio Sophie-Louise Dann is quite simply one of the most engaging and versatile musical theatre performers that the UK has ever produced. Anyone catching her recently in Forbidden Broadway…

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  • Classical Music,  Reviews

    Prom 64, Berlin Philharmonic Orchestra, Rattle, Royal Albert Hall

    By Edward / 06/09/2014

    They were, of course, applauded on to the platform – all of them – and when at the close Simon Rattle turned to us and said “I think you know this already but there is no audience…

    Read More
  • Podcasts

    A Conversation With VASILY PETRENKO: Shostakovich Symphony No.13 “Babi Yar”

    By shane / 02/09/2014

    With the final release in Vasily Petrenko’s much-lauded Shostakovich cycle on Naxos the young maestro talks to Edward Seckerson about a masterpiece the Soviet authorities tried but failed to sabotage at its first performances. YevgenyYevtushenko’s poem “Babi…

    Read More
  • Classical Music,  Reviews

    Prom 59, “Elektra”, BBC Symphony Orchestra, Bychkov, Royal Albert Hall

    By Edward / 01/09/2014

    How much familial dysfunction and lust – whether for sexual gratification or revenge – can one take in a single weekend? Salome and Elektra back-to back may on paper seem like a feast of divine decadence but…

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  • Classical Music,  Reviews

    Prom 58, “Salome”, Deutsche Oper Berlin, Runnicles, Royal Albert Hall

    By Edward / 31/08/2014

    It has been said many times (and by Strauss himself) that the title role of Strauss’ Salome requires at least two different voices. Nina Stemme has both of them. And so seamlessly, artfully, are they rolled into…

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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