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Top Posts & Pages

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet - Los Angeles Philharmonic/Dudamel

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • On Stage

    A Conversation With MAXIM VENGEROV

    By shane / 01/01/2014

    Friday 17th January 6.00pm, Barbican Centre Pre-concert “In Conversation” with Maxim Vengerov… [Read More]

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  • On Stage

    A Conversation With DAME FELCITIY LOTT

    By shane / 01/01/2014

    Tuesday 25th February 7.00pm, The Forge An evening with Dame Felicity Lott (for the Incorporated Society of Musicians)… [Read More]

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  • On Stage

    A Conversation With VLADIMIR ASHKENAZY

    By shane / 01/01/2014

    Sunday 27th April 2014, London Jewish Cultural Centre In conversation with Vladimir Ashkenazy… [Read More]

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  • On Stage

    A Conversation With MAUREEN LIPMAN

    By shane / 01/01/2014

    Tuesday 13th May 2014 3.00pm, Newbury Festival at Sydmonton Court In conversation with Maureen Lipman… [Read More]

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  • On Stage

    A Conversation With SIR THOMAS ALLEN

    By shane / 01/01/2014

    Thursday 15th May 8pm 2014, London Jewish Cultural Centre at Ivy House In conversation with Sir Thomas Allen… [Read More]

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  • Classical Music,  Reviews

    Mitsuko Uchida, Musicians from the Berlin Philharmonic Orchestra, Wigmore Hall

    By Edward / 18/12/2013

    Exactly what constitutes “the End of Time” in Olivier Messiaen’s extraordinary Quartet for piano, violin, cello and clarinet? Not surely “the end of days” but rather the end of measured time; music unfettered, music of the spheres,…

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  • Classical Music,  Reviews

    Adams “El Nino”, Royal Festival Hall

    By Edward / 15/12/2013

    During the momentous last century – so richly contextualised in the South Bank’s The Rest is Noise festival – there were two points at which factions within the musical establishment sought to step back, take stock, and…

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  • Asides

    American Psycho, Almeida Theatre

    By Edward / 13/12/2013

    Having enjoyed privileged insight into the making of this musical with my audio podcast featuring composer Duncan Sheik’s original demos (check out Podcasts) and director Rupert Goold’s lively mind, this is not so much a review, more…

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  • Musical Theatre,  Reviews

    Candide, Menier Chocolate Factory

    By Edward / 03/12/2013

    It’s one of theatre’s great ironies that turning Volaire’s bitter satire Candide into a musical proved every bit as taxing and fraught with disaster as the journey to a better life endured by the novella’s principal characters.…

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  • Podcasts

    A Conversation With RUPERT GOOLD & DUNCAN SHEIK: ‘American Psycho’ – A New Musical Thriller

    By shane / 19/11/2013

    In the season of goodwill a new musical based on Bret Easton Ellis’ notorious novel American Psycho might earn itself the subtitle “NOT the Christmas Show” – but when the composer is Duncan Sheik, he of the…

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Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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