Andrew Lippa, St. James Theatre
Ok, I’ll come clean (and this is hard, not to say shameful, for a musical theatre aficionado): Andrew Lippa had somehow passed me by; until now – until yesterday, to be precise. Don’t ask how come I…
The Magic Flute, English National Opera, London Coliseum (Review)
Out of the mouths of babes… the wise child that is Simon McBurney takes his cue from the “three young boys steeped in ancient learning” – a description he takes literally by transforming them into little old…
The Scottsboro Boys, Young Vic
John Kander and Fred Ebb – masters of the cabaret satire – delivered a sucker punch with this their last show together. The story of the Scottsboro nine shamefully redefined the sickness at the heart of American…
From Here to Eternity, Shaftesbury Theatre
“Love and pain is like peace and war – you want one you have the have the other.” It’s a line that pretty much sums up From Here to Eternity. The title of James Jones’ novel and…
Leipzig Gewandhaus Orchestra, Kavakos, Dindo, Chailly, Barbican (Review)
For the Leipzig Gewandhaus Orchestra’s second residency at the Barbican Centre Riccardo Chailly pulled focus on an entirely new sounding Brahms. Gone were all those bad performance practices, bad habits, from the early 20th century, gone was…
The Rape of Lucretia, Glyndebourne Touring Opera (Review)
Lucretia is quite literally pulled from the earth like a living artefact – and to the earth she will return. But when we arrive at the contentious final moments of Britten’s opera The Rape of Lucretia and…
Les Vepres Siciliennes, Royal Opera House (Review)
It started so thrillingly, director Stefan Herheim pulling off a theatrical coup which simultaneously fleshed out the opera’s back story whilst casting us body and soul into the gloriously opulent world of French opera-ballet. But as Verdi’s…
An audience with Dame Janet Baker, London Jewish Cultural Centre
PODCAST now available here Every now and again – but only very rarely – a professional engagement comes along that is so personal, so loaded with treasured associations, that it transcends all normal parameters and takes on…
A Conversation With GIANLUCA MARCIANO: Italian style and traditions
Bowing in at the London Coliseum for the latest revival of Anthony Minghella’s sumptuous staging of Puccini’s Madam Butterfly, conductor Gianluca Marciano is fast building a reputation as one of the most thoughtful and stylistically incisive of…
Britten “War Requiem”, London Philharmonic Orchestra & Choir, Jurowski, Royal Festival Hall (Review)
Britten’s innate theatricality shines through every single bar of his War Requiem. Atmosphere, drama, suspense, and high emotionalism is to a greater or lesser degree written into the piece (something which the naysayers always latch on to).…
