Edward Seckerson
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Top Posts & Pages

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet - Los Angeles Philharmonic/Dudamel

Popular Podcasts

  • A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD
  • A Conversation With DAME JANET BAKER
  • ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON
  • A Conversation With VICTORIA WOOD: New TV drama, ‘Loving Miss Hatto’
  • A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies
  • Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
  • A Conversation With JOHN RUTTER
  • A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentier’s ‘Medea’
  • A Conversation With JULIAN OVENDEN
  • A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope
  • Asides

    Briefly… Seven Brides for Seven Brothers, Wimbledon Theatre & Tour

    By Edward / 09/10/2013

    The sound levels seemed to be in synch with the pine trees backdrop and went up and down like a whore’s knickers. In this the official press night for a lengthy stage tour of the much-loved MGM…

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  • Podcasts

    A Conversation With VASILY PETRENKO: His Shostakovich symphony cycle

    By shane / 01/10/2013

    As Vasily Petrenko’s much-lauded Shostakovich symphony cycle moves closer to completion we reach the renegade Fourth Symphony written in 1935 and driven underground by Stalin and his establishment naysayers. This astonishing piece  – which remained unperformed for…

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  • Asides

    Briefly… Die Fledermaus, English National Opera

    By Edward / 01/10/2013

    Eisenstein’s pocket watch (every seducer needs one) looms large and his wife Rosalinde is not having a good night. Recurring nightmares accost her and, wouldn’t you know, bats figure in every one. Is Christopher Alden really going all…

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  • Asides

    Briefly… Peter Grimes, London Philharmonic, Jurowski, Royal Festival Hall (Review)

    By Edward / 29/09/2013

    I think we can now say with absolute certainty that Stuart Skelton is the pre-eminent Peter Grimes of the present time. Just as Peter Pears originated the role for a whole generation and Jon Vickers redefined it…

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  • Opera,  Reviews

    Fidelio, English National Opera (Review)

    By Edward / 26/09/2013

    The first words we hear don’t belong to Fidelio at all, the first music does, but not at all where you expect to find it. If you’ve read your programme (and who does before the show begins?)…

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  • Fidelio Bergen
    Podcasts

    A Conversation With MARY MILLER & ANDREW LITTON: Bergen Opera

    By shane / 24/09/2013

    In the listening room of Grieg Hall, Bergen – a concert hall sometimes masquerading as a theatre and vice versa – Edward Seckerson talks to Mary Miller, Director of Bergen National Opera, and Andrew Litton, Music Director…

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  • Opera,  Reviews

    Elektra, Royal Opera House (Review)

    By Edward / 24/09/2013

    Applause for the conductor – even if it is Andris Nelsons – is just about the last thing we need to hear when Richard Strauss is about to fling down the brutal chords which spell out the…

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  • Yannick Nézet-Séguin conducts the Rotterdam Philharmonic Orchestra at the BBC Proms 2013
    Podcasts

    A Conversation With YANNICK NÉZET-SÉGUIN

    By shane / 24/09/2013

    Yannick Nézet-Séguin is one of the most hotly pursued conductors on the planet right now. To his orchestral “families” in Rotterdam, Montreal, and London he has now added the illustrious Philadelphia Orchestra, once dubbed by Rachmaninov “the…

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  • Classical Music,  Reviews

    London Symphony Orchestra, Uchida, Ticciati, Barbican Hall (Review)

    By Edward / 20/09/2013

    From Mozart’s pen to Mitsuko Uchida’s fingers and one last time for Sir Colin Davis – Mozart’s wistful Rondo in A minor. If ever music crossed thresholds this not so little Rondo with its lilting Siciliana-like melody…

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  • Classical Music,  Reviews

    The Last Night of the Proms, Royal Albert Hall (Review)

    By Edward / 08/09/2013

    As it came to pass, Marin Alsop’s nationality was rather more of a factor than her gender on this historic Last Night of the Proms – but her deft put-down of remarks made only the week before…

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Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

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