Edward Seckerson
Alt Sidebar
Random Article
Search
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact
  • Home
  • ABOUT
  • In Print
  • On Stage
  • Podcasts
  • Contact
  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Kathleen Ferrier in New York – Kathleen Ferrier, Set Svanholm, New York Philharmonic Orchestra/Walter

    By Edward / 26/02/2020

    A treasure, to be sure. Four years before Bruno Walter’s celebrated, indeed classic, Vienna recording (1952) with Kathleen Ferrier, the man who conducted the world premiere of Mahler’s pantheistic symphony with voices takes his newest discovery from…

    Read More
  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – February 2020

    By Edward / 26/02/2020

    After so many years of concert-going – including a time when writing for The Guardian and The Independent newspapers that I was averaging three concerts a week minimum – it’s good to be reminded that I can…

    Read More
  • Classical Music,  Opera,  Recordings,  Reviews

    GRAMOPHONE Review: Offenbach Six Fables de La Fontaine – Karine Deshayes, Orchestre de l’Opéra de Rouen Normandie/Haeck

    By Edward / 29/01/2020

    The shocking pink packaging says it all. If Offenbach had a colour then this might be it. Then there’s the quirky illustration of besuited animals relating, of course, to the Six Fables of De La Fontaine –…

    Read More
  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – January 2020

    By Edward / 29/01/2020

    As a new year and a new decade beckon we continue to live in uncertain times for print journalism. The digital world has opened up new and exciting frontiers for sure; it has sharpened communication and promoted…

    Read More
  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Mahler Symphony No. 8 – Soloists, Choirs, Düsseldorf Symphony Orchestra/Fischer

    By Edward / 01/01/2020

    Rather as he did for his controversial (and somewhat disappointing) account of Das Lied von Der Erde Adam Fischer offers a kind of apologia in the liner note as to the particular challenges of the Eighth Symphony…

    Read More
  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich Symphony No. 4 – London Symphony Orchestra/Noseda

    By Edward / 01/01/2020

    It’s the symphony that might or might not have recalibrated Shostakovich’s future and it’s still one of the trickiest to pull off in performance. Noseda meets it halfway – which makes for plusses and minuses. His LSO…

    Read More
  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Shostakovich Symphony No. 7 ‘Leningrad’- Bavarian RSO/Jansons

    By Edward / 01/01/2020

    One of these days a Mariss Jansons recording will arrive that will confound my expectations. This, alas, is not it. You can tell at once from the cultured, well-rounded, Bavarian sound that the very notion of something…

    Read More
  • Musical Theatre,  Opera,  Recordings,  Reviews

    GRAMOPHONE Review: ‘Wien’ – Jonas Kaufmann, Rachel Willis-Sørenson, Vienna Philharmonic/Fischer

    By Edward / 01/01/2020

    If you’re watching the calories, stop reading now. This evocative collection of Viennese sweetmeats, of wine, women, song and Sachertorte, does not countenance the notion of abstinence. Kaufmann’s love affair with Vienna – City of Dreams –…

    Read More
  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – December 2019

    By Edward / 01/01/2020

    What’s in a name? Plenty. The revival of the Sinfonia of London in such spectacular style with John Wilson’s glorious account of the Korngold Symphony is probably even more of a nostalgic occasion for me than it…

    Read More
  • Asides,  Classical Music,  Opera,  Recordings

    GRAMOPHONE: From Where I Sit – November 2019

    By Edward / 04/12/2019

    I need to say a few things about Jessye Norman – gone but never forgotten, her majestic voice for the ages forever enshrined for posterity in countless recordings, her aura somehow immortal. I saw her perform many…

    Read More
 Older Posts
Newer Posts 

Latest Tweets

My Tweets
Follow Us on FacebookFollow Us on Twitter

Recent Posts

  • GRAMOPHONE Review: Prokofiev Romeo and Juliet – Los Angeles Philharmonic/Dudamel
  • Desmonda Cathabel & Dylan Wood: Doomed Lovers Duets + ‘Comparing Notes’ post show interview with Edward Seckerson
  • SOME OTHER TIME: Leonard Bernstein – In Words & Music with Kim Criswell and Edward Seckerson
  • MARTI WEBB in Conversation with EWdward Seckerson – Newbury Spring Festival
  • GRAMOPHONE Review: Mahler Symphony No. 7 – Tonhalle-Orchester Zürich/Järvi

Follow

Enter your email address to receive notifications of new posts by email.

Back Stage

  • Login
Bard Child Theme by Royal Flush.
Back to top