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  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – Awards Issue 2019

    By Edward / 08/11/2019

    Reflecting once again on yet another season of Henry Wood Promenade Concerts my thoughts turn to the venue itself – the Royal Albert Hall – loved and loathed in equal measure, the grandest of grand edifices, a…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Heggie ‘Woman: the making of…’ – Lillian Farahani/Maurice Lammerts van Bueren

    By Edward / 08/11/2019

    “Woman the making of…’ Intriguing title. And it takes its cue from Jake Heggie’s very first commission – written in 1995 to original texts by Philip Littell – which was, to borrow a more iconic title, ‘all…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Duruflé Requiem / Debussy Nocturnes – Kožená, Berlin Radio Choir, Deutsches Symphonie-Orchester Berlin/Ticciati

    By Edward / 08/11/2019

    For two works so diametrically opposed in feeling, philosophy and belief, these marvellous pieces sit well together. They also appear to chime with Robin Ticciati’s very particular sensibilities as a conductor. And he plainly adores them. So…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Beethoven Symphony No. 3 / Strauss Metamorphosen – Sinfonia Grange au Lac/Salonen

    By Edward / 08/11/2019

    The intriguingly named Sinfonia Grange Au Lac (literally The Barn on the Lake) bows in here under its first mentor and incumbent Esa-Pekka Salonen. A unique custom made orchestra for a custom made venue and festival –…

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  • Classical Music,  On Stage,  Opera,  Recordings

    ANTONIO PAPPANO in conversation with Edward Seckerson

    By Edward / 07/11/2019

    Thursday 30th January 2020 7.30pm Bishopsgate Institute. Join us in the stunning Grade II* listed Great Hall at Bishopsgate Institute as we welcome the acclaimed conductor, pianist and Music Director of The Royal Opera, Antonio Pappano, who…

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  • Asides,  Classical Music,  Opera,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – October 2019

    By Edward / 17/10/2019

    It’s always exciting when a significant new voice arrives on the music scene and Decca really pushed the boat out a couple of months back for the debut release of the young Norwegian soprano Lise Davidsen. She…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Tchaikovsky: ‘The Tchaikovsky Project’ Complete Symphonies & Piano Concertos – Gerstein, Czech Philharmonic/Bychkov

    By Edward / 17/10/2019

    Now we have the complete portrait, as it were, of Tchaikovsky through the eyes of Semyon Bychkov many of the issues I addressed when reviewing the original releases of the 6th ‘Pathétique’ and Manfred Symphonies are thrown…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Copland: Quiet City / Dvořák: Symphony No. 9 ‘From The New World’ / Ives: ‘Holidays’ Symphony – Solistes Européens Luxembourg/König

    By Edward / 17/10/2019

    It’s a neat idea framing Dvorak’s ubiquitous ‘New World’ with two miniatures of authentic Americana – one rural, one urban – from perhaps her most famous sons: Ives and Copland. But that’s about as far as my…

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  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – September 2019

    By Edward / 12/09/2019

    Movie music aficionados are a very particular breed – serious, knowledgeable, fanatical. Even the soft-core variety – as I once was – are fiercely defensive of their favourite practitioners. The music and the indelible images they amplify…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Mahler Symphony No. 9 – Bamberg Symphony Orchestra/Blomstedt

    By Edward / 12/09/2019

    School of Barbirolli. That was my first thought as the faltering pulse of the opening bars ushered in the warm and consoling first theme, first heard, of course, in the second not first violins. No hint so…

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