Edward Seckerson
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Top Posts & Pages

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  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • GRAMOPHONE: From Where I Sit - April 2022
  • Rodgers & Hammerstein's 'ALLEGRO' First Complete Recording
  • Adams "El Nino", Royal Festival Hall
  • GRAMOPHONE Review: Price Symphonies Nos. 1 & 3 - The Philadelphia Orchestra/Nézet-Séguin
  • National Youth Orchestra of Great Britain, Petrenko, Royal Festival Hall
  • A Spoonful of Sherman, St. James' Theatre Studio
  • Philharmonia Orchestra, Davis, Royal Festival Hall

Top Posts & Pages

  • Home
  • Blog
  • Forbidden Broadway, Menier Chocolate Factory
  • GRAMOPHONE: From Where I Sit - April 2022
  • Rodgers & Hammerstein's 'ALLEGRO' First Complete Recording
  • Adams "El Nino", Royal Festival Hall
  • GRAMOPHONE Review: Price Symphonies Nos. 1 & 3 - The Philadelphia Orchestra/Nézet-Séguin
  • National Youth Orchestra of Great Britain, Petrenko, Royal Festival Hall
  • A Spoonful of Sherman, St. James' Theatre Studio
  • Philharmonia Orchestra, Davis, Royal Festival Hall
Podcasts

NOTES FROM LOCKDOWN: John Wilson in Conversation

19/05/2020

A free-wheeling conversation with conductor John Wilson, taking in his leadership of the newly reformed Sinfonia of London, recordings of music by Korngold and Richard Rodney Bennett, his love of French music, opera and musical theatre.

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GRAMOPHONE Review: Bruckner Symphony No. 6 - Bergen Philharmonic Orchestra/Dausgaard
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GRAMOPHONE: From Where I Sit - May 2020

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Recent Posts

  • GRAMOPHONE: Michael Tilson Thomas – A Personal Tribute
  • COMPARING NOTES: LILY KERHOAS in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: Sibelius Violin Concerto/Lemminkäinen Suite – Ava Bahari, Gothenberg Symphony Orchestra/Rouvali
  • COMPARING NOTES: JAK MALONE in Conversation & Song with Edward Seckerson
  • GRAMOPHONE Review: ‘Pájaros Mágicos’ Stravinsky The Firebird Suite · Villa-Lobos Uirapuru – Los Angeles Philharmonic Orchestra/Dudamel

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